Monday, April 18, 2016

Wrtiing the Private Eye

The Private Eye Novel has been a favorite of American reading audiences since back in the thirties. Its early popularity grew out of such characters as Dashiell Hammett’s Sam Spade, Ross Macdonald’s Lew Archer, and John D. MacDonald’s Travis McGee. Hammett’s The Maltese Falcon has become an American fiction classic. There is no shortage of definitions for the detectives who populate these stories. Probably the most definitive is the one used by the Private Eye Writers of America in picking winners for its annual Shamus Awards.

They define a “private eye” as any mystery protagonist who is a professional investigator, but not a police officer or government agent.

I had no idea of creating a PI when I started writing about Greg McKenzie, a retired Air Force OSI agent, the protagonist of my first four mystery novels (plus a later fifth). In fact, I wasn’t even thinking series. The first book involved a hostage taking, and I wanted a character with investigative experience who would have all the tools he needed to compete with the bad guys and rescue his wife. While working on that story, I consulted with the Special Agent in Charge of the Office of Special Investigations at Arnold Air Force Base.

It wasn’t until the end of the second book that I realized Greg and his wife were perfectly suited to get into the private investigation business. The last three books have dealt with cases they took on with unexpected results. A few reviewers referred to the books as cozies, though I didn’t see them that way.

If you’ve never been in law enforcement, how do you learn the basics of writing about private investigators? It helps if you’ve been a newspaper reporter. They use some of the same techniques as detectives. Also you read a lot about PIs, both in fiction and fact. I have two books about private investigation written by two working pros I know personally.

I was surprised when I got a review of the third Greg McKenzie book that started out, “If you’re interested in seeing how a real private detective works try Chester Campbell’s Deadly Illusions.”

That was only topped by a review of the fourth book that began, "The Marathon Murders is a skillfully woven tale that shows detective fiction wannabes how it’s supposed to be done.”

Although I enjoyed penning the exploits of Greg and Jill McKenzie, I wanted to try my hand at a more gritty private eye story. So I conjured up Sidney Lanier (Sid) Chance, a Green Beret in Vietnam, a National Parks ranger for 19 years, and a small town police chief for another 10. He left the NPS after being shot and quit his police job over false accusations of bribery.

Sid is the protagonist in The Surest Poison and The Good, The Bad and The Murderous, the two books in the series. Apparently I succeeded in telling a more hard-boiled tale since one reviewer said I was channeling my love for the written word “into the kind of fiction writing that those with a penchant for Lawrence Block can enjoy.” If you don’t know Larry Block, he writes really hard-boiled stuff and is one of Mystery Writers of America’s Grand Masters.

So what’s the secret to writing believable private eyes? In my view it’s keeping your detective’s eyes and ears tuned to pick up any lead, whether it be a phone call, a scrap of paper found at a crime scene, a casual observation by a witness, and following it wherever the trail takes him. And you’d better obstruct the trail with plenty of boulders and booby traps.

The early PIs were strictly loners, but as the twentieth century wound down, it became popular to give private investigators sidekicks. Jasmine (Jaz) LeMieux fills the spot for Sid Chance, though she’s not like any sidekick I’ve encountered before. She’s rich, being majority owner and board chairman of a chain of truck stops, but followed a pretty weird path in getting there. After quitting college over a disagreement with her basketball coach, she served in the Air Force Security Police, was a professional boxer, and worked as a Metro Nashville policewoman.

Barbara Norville, in her book Writing the Modern Mystery, says “the primary attribute of the private eye is his unique sense of justice, and this is the theme of all private eye novels.” I agree, and it’s the raison d’etre for my PIs. As we learn about Sid Chance, “the possibility of taking a twisted situation and making things right was the lure that kept him in the business.”

Check out my books on the website HERE or on Amazon HERE.

Thursday, April 7, 2016

The Surest Poison's Jaz LeMieux Talks

The Surest Poison, first book in the Sid Chance PI series, involves Sid’s efforts to locate the man responsible for a toxic chemical dump behind a plant near a small town west of Nashville. I wrote this for another blog shortly after the book came out. I think it's still just as relevant now, particularly if you're new to the series. In The Surest Poison, the current owner of the toxic dump area faces the costly cleanup of the mess caused by a previous occupant years ago. Three seemingly unrelated murders occur as Sid is tailed and threatened. When his part-time associate, Jasmine LeMieux, offers her help, she is awakened by an explosion behind her mansion. A lot of readers tell me they like Jaz better than Sid. She's quite a character. I hope you enjoy the interview.

Chester: Would you state your full name and occupation?
Jaz: What is this? Are you trying to play detective?

Chester: Just answer the question, please.
Jaz: Oh, all right. I’ll play along. My name is Jasmine LeMieux, a.k.a. Jaz, and I’m chairman of the board for Welcome Home Stores, a chain of truck stops headquartered in Nashville. I’m also a newly-minted—licensed, that is—private investigator.

Chester: And a very attractive one at age forty-five.
Jaz: Thanks, I guess, but you didn’t have to go into that age business. A lady needs to keep a few secrets.

Chester: Sorry about that. I hear you’re working with another local PI named Sid Chance. Is that correct?
Jaz: I wouldn’t call it working, exactly. It’s more like a lark to me. It’s a chance to play cop.

Chester: Weren’t you a Metro Nashville policewoman at one point?
Jaz: Until my mother died and my father was nearly killed in a car wreck. I quit the force to help nurse him back to health.

Chester: Your career choices up to that point caused a bit of consternation with your family, didn’t they?
Jaz: You’re being kind. Actually, I was kicked out of the family. My mother was a snobbish Southern Belle. She went ballistic when I dropped out of college and joined the Air Force. I was young at the time and quite determined. I had been a star point guard on the basketball team. When they brought in a new coach who berated my style of play, I got mad and quit. In the Air Force I was assigned to the Security Police under a sergeant who was a former Golden Gloves champion. He worked out regularly with me in the gym. When I left the service, he offered to train me as a boxer. I went professional, and my mother erased my name from the family ledger.

Chester: Didn’t you become a lightweight champion?
Jaz: I did, but it didn’t pay enough to live on. That’s why I became a cop.

Chester: From the looks of this French Colonial mansion you live in, I’d say you weren’t hurting for money now.
Jaz: I’m doing okay. My dad came to Nashville as an ambitious young French Canadian. He built Welcome Home Stores into a lucrative business. When he regained his health after the accident, he asked me to come to work for him. I went back to school and got a computer science degree, plus an MBA. He left me controlling interest in the business when he died.

Chester: How do you find time to play cop, as you call it?
Jaz: I keep close tabs on the company, but I’m not involved in day-to-day operations.

Chester: Weren’t you responsible for getting Sid Chance in the PI business?
Jaz: I was looking for somebody to run an investigation for Welcome Home Stores, and a mutual friend told me about Sid. He had a wealth of experience in law enforcement but got shafted by small town politics. He’d run off to a cabin the woods and was playing hermit. I looked him up, talked him into coming back to take my company’s case. He did such a great job with it that I offered to help him get into the PI business.

Chester: Did you have anything to do with Sid’s taking on this toxic chemical pollution case?
Jaz: I recommended him to a lawyer who does work for my company.

Chester: It sounds like you think pretty highly of Mr. Sidney Chance. True?
Jaz: If you mean do I think he’s one very sharp detective, quite true. He’s also one gorgeous hunk of a man, a little rough around the edges, but honest as the day is long. He’s totally devoid of pretense, someone you can always count on to come through for you.

Chester: In addition to your helping with Sid’s case, he got pretty heavily involved with your problem at home, didn’t he?
Jaz: Yes, there’s a dear couple who lives with me. They’ve been family employees since I was a kid. When their grandson got into trouble, Sid came to the rescue.

Chester: Do I detect something a little more than a purely business relationship?
Jaz: We’ve become very close friends. And this part is off the record. I wouldn’t object to pushing the relationship to a new level, but I think Sid needs to find some inner peace before he’s ready to break out of his shell. He needs to come to terms with his past.

Chester: Didn’t you introduce him to some good law enforcement contacts?
Jaz: You refer to the Miss Demeanor and Five Felons Poker Club. We meet irregularly with a Metro homicide detective, a patrol sergeant, a retired newspaper police reporter, and a former Criminal Court Judge. They’re great friends, and Sid has found they can be quite helpful.

Chester: And what’s in store for Jasmine LeMieux as a private investigator?
Jaz: That depends on Sid. I’m only interested in working cases where he needs my help. I have resources he doesn’t possess, including computer savvy to dig out information not easily accessible.

Chester: I’m sure he’ll find ample opportunity to use your services in the future. Thanks for talking with us, Miss LeMieux. I wish you much success.
Jaz: Hey, speaking of which, you won’t mind if I succeeded in selling a few books, would you?

I guess I could use her help as well as anybody else's. Anyway, that's all for now.